. . . finds a few too many boys named Sue.
Do we need any other excuse? Take it away, Johnny!
[Credit where due: although the song is permanently associated with the Man in Black, it was written by the great Shel Silverstein.]
a fool in the forest
Epigraphs
- A fool, a fool! I met a fool i' the
forest,
A motley fool; a miserable world!
As I do live by food, I met a fool
Who laid him down and bask'd him
in the sun,
And rail'd on Lady Fortune in good
terms,
In good set terms and yet a motley
fool.
As You Like It,
Act II, Scene 7L'homme y passe à travers des
forêts de symboles
Qui l'observent avec des regards
familiers.Les Fleurs du Mal,
“Correspondances”
[T]here is almost no subject-matter, and what little one can disentangle is foolish....
One would call the style verbose, except that by definition verbosity is the use of words in excess of the occasion, and there seems to be no occasion.
Yvor Winters,
Forms of Discovery, Ch. 7
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October 18, 2007
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I don't hafta go to Jackson to find cool; the Fool knows cooo-ool.
Where else but the Fool can one find Dylan and Cash on the same page?
Posted by: Cowtown Pattie | October 24, 2007 at 07:15 PM