A View to Achille
[The Death of Klinghoffer, Long Beach Opera]
Nothing Is As It Disappears

The Map of the Clock

Street clock
Another opening, another show....

On Sunday, May 18, as part of the Spring program by the Sacramento Children's Chorus, one of the five choirs making up the Chorus will premiere "The Map of the Clock," a piece composed by Garrett Shatzer on a text by this blogger. In July, the Chorus will be taking "Map" along for performances in Eugene, Oregon, and "on the green" at the Oregon Shakespeare Festival in Ashland. All of which is rather satisfying, as perhaps you can imagine.

The commission from the Children's Chorus came Garrett's way as he and I were collaborating on "Beset" and he kindly offered me the opportunity to craft up the words. Not having been so young as these singers in a very long while, I found myself thinking about Time and thinking in particular about how differently things appear when one has more future than past in one's life. That notion somehow conjoined in my mind with the idea that "the map is not the territory," a title emerged and, from that, a poem and, from that, a composition which I will hear for the first time on Sunday.

Here are the music-less words:




The map of the road ahead

is not the road ahead


The clock on the wall knows

nothing at all of Time


This moment’s monument is not

the thing you said

this moment


It is not the thing you thought

or meant to say


The road alone knows where

the road is leading


And once each mile is past,

Time blocks return


Old trickster Time, you prankster,

with your secret plan


Will anyone here who hears me

hear me again

in time


The road the time

the moments that pass

the song the speech

the road the rhyme the time

And on and on and on

or on and off

an end


Copyright 2013 George M. Wallace


Photo: Streets Clock by Flickr user Individual Design, used under Creative Commons license.

Incidental: "A moment's monument" was Dante Gabriel Rossetti's description of the sonnet form. It appears here as a backhanded reference to my first, and most ambitious, collaboration with Garrett Shatzer: "The Kissed Mouth," an as-yet unrealized song cycle for tenor and soprano—more of a chamber opera, to my way of thinking—involving Rossetti and certain supernatural elements, of which I will say no more. Mayhap I will be able to announce its premiere here someday. In time, as it were.


UPDATE [August 5, 2014]: A recording of the premiere performance of "The Map of the Clock" has gone up on Garrett Shatzer's site. I could not have asked for better treatment of this text than Garrett gave it, and the youthful singers of the Sacramento Children's Chorus (the subchoir that performed here is Jr. High/High School Freshperson age) sang it gorgeously. Listen here.



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